Tag Archives: Amazon Prime

That WTF Moment

It’s Saturday night and I am socially maladjusted so, obviously, I’m hunting for something to watch on Netflix and Amazon Prime. I have just reached the desperation point of typing in random keywords in an attempt to find anything new and worth the bother and my latest search was going to be “artificial intelligence.” (Yes, I know what I’m going to get and I refuse to watch that one. No. Not ever.) But this is where the story became weird…

I typed in ‘a’ and ‘r’ and then I was presented with a few possibles. Arrow is number four in the list, but before it Amazon managed to find four videos which fitted the ‘ar’ search term better. Four, two minute videos of young ladies in bikinis shooting an AR-15 rifle. I watched one, because… science. It’s a video. Of a girl. Wearing a bikini. Unloading a semi-automatic rifle into a target. For two minutes. I… was speechless.

I did not really know this was a thing. Girls and guns… sure. I kind of make money out of girls and guns (and swords, and magic). But… yeah.

Anyway, that’s not what bothered me so much as the fact that it’s on Amazon Prime! I’ve seen some pretty weird things turning up there recently, but YouTube videos of girls firing assault weaponry? (Not even on full-auto!)

So, basically… WTF?!

PS. The full search did turn up the Haley Joel Osment movie first… sigh.

PPS. The Ghost in the Doll word count is now 10505!

PPPS. Maybe another Kit picture on Monday.

Cliffhangers in the Age of Netflix

Three posts in a day, I must be on something. I think it’s insomnia and compensatory coffee, but I’m not sure. Sorry for this, I’m ranting again. But at least it’s more genre-related.

Anyway, the cliffhanger. Cliffhanger endings are beloved of comic book fans and the writers of those serials they ran back in the dark ages like Flash Gordon and King of the Rocket Men. Well, beloved of writers and there’s a rather more mixed reaction from fans, but this kind of ‘our hero is about to die, find out what happens next week’ ending is sort of expected. I put the epilogues in the Ultrahuman books as a sort of homage to this. That’s a homage. I tend to prefer not to write actual cliffhanger endings to books because, let’s be frank, it drives me crazy when someone does it to me.

We see this in modern television and some film series. (I can trace this back to my annoyance with the ending of The Empire Strikes Back for sure.) Now, I grew up with Doctor Who which rarely did a single episode story back then. It used to run 25 minutes and a typical story was 4 or 6 episodes, airing at tea time on a Saturday. You’d have cliffhangers all the way through until the last episode, but you only had to wait a week for the next episode. The modern series rarely does a 2-parter, but does usually have a season arc. That’s fairly kind compared to six weeks of biting your nails. What modern Doctor Who does not do, but an enormous number of modern US TV series does, is the season finale cliffhanger.

I want to find the idiot who came up with this idea and make him watch 365 continues days of reality TV. I know why they do it. I understand. You’ve built an audience and you’ve probably watched the figures trailing downward through the season (seems to happen to the best shows), and you want them to come back for season two. So you put a hook at the end to make them come back to find out the resolution and hope that they’re hooked again and you keep them through the season. If I recall US scheduling right, this might even seem reasonable there because there’s a couple of months between seasons. In the UK, we waited at least half a year to find out what happens next. That doesn’t work. We’ve forgotten what the ending was by the time the new season rolls around so the only thing keeping us coming back is that we were fans or there’s nothing else to watch. And the same is true on Netflix.

I have both Amazon Prime and Netflix because there are shows I want to watch exclusive to one or the other. Sleepy Hollow showed up on Amazon and I quite enjoyed the first season, right up until the end. No second season available, I couldn’t find out what happened, even though I’d just binged on the thing. Frustration. The second season has been on Amazon for a while now and I haven’t watched it. Why? Because I stopped caring months ago. I started watching Grimm on live TV and was annoyed at the end of season one. Then 3 or 4 seasons turned up on Netflix and I binge-watched them… right up to the second to last episode. The last was the wedding and I knew there was going to be a cliffhanger I was not going to resolve. Grimm has probably lost my attention now because by the time the next season is available, the episode I didn’t watch will not be.

The season end cliffhanger just doesn’t work in the era on binge-watching and boxed sets. We’ve been shown we can have instant gratification, and then it’s ripped away from us. Netflix themselves seem to have recognised this. Daredevil, the first season anyway, resolves its main storyline at the end and season two brings in a new antagonist. Jessica Jones, which I still haven’t got to the end of, seems to be going the same way. Even their thoroughly amusing Puss in Boots series avoided straining your patience. Netflix realise that their model doesn’t need cliffhangers. If you watched season one, they push season two at you for weeks ahead of the first show and it goes right to the head of your ‘continue watching’ list with a ‘new episodes’ tag. If you were hooked, they’ll probably grab you again.

Last night, I discovered that Netflix had the first two seasons of iZombie. I’d seen trailers for this on DC’s YouTube channel and thought it looked like fun. It is. (If you haven’t tried it, give it a go. It’s got zombies, drama, and my kind of sense of humour. If you tried it and hated it… Can’t please everyone.) Later this evening, probably over dinner, I’ll watch the first season finale and if it’s a cliffhanger I may decide to scream, but at least I can go straight on to season two. But then I don’t know when season three will turn up… Please, please, won’t someone bring an end to the horror of the end of season cliffhanger!

Anyway, that’s why I don’t hang my readers off a cliff at the end of my books, even with my production rate. Lucifer is the only show I’ve seen on Amazon which handles this well. The end of season one was… cliffhangerish, but it was a little more like my Ultrahumans epilogues, a tease for what’s going to come next rather than a real cliffhanger. That’s a start.

Have a great day. Without cliffhangers.

PS. I’d personally recommend Lucifer. Strong start, a little rocky after that, but it rapidly improves again. However, if you’re a fan of the original comics, take my recommendation with a pinch of salt. Comic and series are not the same, and I know how that annoys some people. Hell, Gotham annoys me for all the backstory retcons and I still haven’t figured out why.

PPS. Just watched the iZombie season finale. Bloody cliffhanger. Oh well, it’s amusing enough I’ll probably cope at the end of season two. *sigh*

 

Reality Hack – Still Not Sure About the Genre

So, Reality Hack is due out on the 4th of July and I’m still not sure which genre it sits in. I hate genre classifications and it’s always been clear to me that those responsible for such classifications know not what they are talking about. Please allow me to vent…

If I go to Netflix or Amazon Prime Video, and I go looking for a science -fiction movie, I am going to find myself looking at a load of fantasy, some horror, quite a bit of romance that has a vague hint of sci-fi about it. (Well, with Netflix’s idea of classification, looking for a sci-fi movie is an exercise in frustration anyway, but the general idea is the same.) These companies classify everything with any form of fantastic basis as the same genre. I can’t help but wonder whether this general lack of clarity bothers other people as much as it does me? I mean, if they have to split things into groups, could they not do the job properly?

Meanwhile, the book publishers are worse. They want their books classified into increasingly narrow bands of genre, but they haven’t a clue what the genres mean. The Game of Thrones books are not science fiction. Twilight is not science fiction, but of course that august work more or less defined a genre which spawned from some publisher’s desire to corner a market, the ‘Young Adult’ genre. (I believe that YA actually stands for ‘Youthful Angst,’ but that may be just me.)

The genres they create usually don’t work for real books. You take the series I’ve been reading a lot of recently, J.D. Robb’s In Death books. These are police procedurals, set in a high-sci-fi near-future, with a fairly high romance/erotic content. Well they don’t get classed as erotica, or ‘adult,’ but they do get a load of other categories lumped on them. The aforementioned Game of Thrones: is that political thriller or grim, ultra-low fantasy?

So, I’m having difficulty with Reality Hack. It’s clearly urban/contemporary fantasy, being to do with magic and the supernatural in a modern setting, but I’m inclined to avoid that area since there’s no romance involving vampires. It has some distinct horror elements (and if it gets a sequel there will be more of that). The actual setting has some heavy science fiction elements to it as one might expect of a book called Reality Hack. There is romance and sex, yes, but there’s also some twisted psychology, and drama, and questions about the nature of reality, and I have to pick a couple of narrow slots to drop this complex tin of worms into.

Don’t get me wrong: without those tight little boxes I doubt anyone would have noticed Steel Beneath the Skin and most of you would not be reading this blog. It’s just that around the time when I have to decide what box to put a book in, I sort of long for the time when it was just ‘fiction’ and ‘non-fiction.’