Category Archives: Reality Hack

Terribly, Terribly Quiet

As someone pointed out, I’ve been rather quiet recently.

That’s partially because I took a holiday. It was sort of a working holiday since I was scouting out Cornish villages for the next Reality Hack book, but it was a holiday. I needed it. I’ve been having trouble holding focus. So…

The current state of play is that I’ve picked up the Fox Meridian book I was writing, and that is (very likely) going to be the next one out. It’s currently called Dominance, but I’m not absolutely sure that title is going to stick through to publication. I just ground to a halt with the Ultrahumans book, though there’s a chunk written and I mean to get it and its sequel out as soon as I can. I’m going to add a new section to the ‘What Am I Doing’ page called Doldrums; it’s for books I have plotted and partially written, but the wind has gone out of their sails.

The Reality Hack sequel has some chance of coming in the next few months, though I still don’t have the precise course of the plot worked out. I was wandering around Cornish villages (and driving down roads that get narrower, and narrower, and narrower…) and having great ideas, but they don’t make a whole book yet.

So, that’s the update. It’s been an absolutely miserable day here in Manchester and I feel like someone sucked all the energy out of me. I’m falling asleep in my desk chair. This is never a good thing and results in really bad neck ache. I am going to do something to try and wake up before I go to bed.

What? It made sense to me.

Reality Hack – It’s Out There

Someone’s noticed that Reality Hack is available on Smashwords, so I guess the secret’s out.

As an aside, for those checking out the Smashwords pages, you may see an indication of the next book too…

Reality Hack – Cover Reveal

Reality Hack CoverI’m just going to drop this here and let you wonder about it.

Reality Hack – Still Not Sure About the Genre

So, Reality Hack is due out on the 4th of July and I’m still not sure which genre it sits in. I hate genre classifications and it’s always been clear to me that those responsible for such classifications know not what they are talking about. Please allow me to vent…

If I go to Netflix or Amazon Prime Video, and I go looking for a science -fiction movie, I am going to find myself looking at a load of fantasy, some horror, quite a bit of romance that has a vague hint of sci-fi about it. (Well, with Netflix’s idea of classification, looking for a sci-fi movie is an exercise in frustration anyway, but the general idea is the same.) These companies classify everything with any form of fantastic basis as the same genre. I can’t help but wonder whether this general lack of clarity bothers other people as much as it does me? I mean, if they have to split things into groups, could they not do the job properly?

Meanwhile, the book publishers are worse. They want their books classified into increasingly narrow bands of genre, but they haven’t a clue what the genres mean. The Game of Thrones books are not science fiction. Twilight is not science fiction, but of course that august work more or less defined a genre which spawned from some publisher’s desire to corner a market, the ‘Young Adult’ genre. (I believe that YA actually stands for ‘Youthful Angst,’ but that may be just me.)

The genres they create usually don’t work for real books. You take the series I’ve been reading a lot of recently, J.D. Robb’s In Death books. These are police procedurals, set in a high-sci-fi near-future, with a fairly high romance/erotic content. Well they don’t get classed as erotica, or ‘adult,’ but they do get a load of other categories lumped on them. The aforementioned Game of Thrones: is that political thriller or grim, ultra-low fantasy?

So, I’m having difficulty with Reality Hack. It’s clearly urban/contemporary fantasy, being to do with magic and the supernatural in a modern setting, but I’m inclined to avoid that area since there’s no romance involving vampires. It has some distinct horror elements (and if it gets a sequel there will be more of that). The actual setting has some heavy science fiction elements to it as one might expect of a book called Reality Hack. There is romance and sex, yes, but there’s also some twisted psychology, and drama, and questions about the nature of reality, and I have to pick a couple of narrow slots to drop this complex tin of worms into.

Don’t get me wrong: without those tight little boxes I doubt anyone would have noticed Steel Beneath the Skin and most of you would not be reading this blog. It’s just that around the time when I have to decide what box to put a book in, I sort of long for the time when it was just ‘fiction’ and ‘non-fiction.’

Continuity of Reality

Someone mentioned the idea of crossover-style stories in a comment and this is not exactly about that, but it’s related: how connected are the universes my novels take place in?

First off, what universes are we talking about:

  • Thaumatology: This world came first, so it’s first in the list. A fantasy reality with a modern, alternate history setting. Magic exists, and demons and fae, and there are at least three connected dimensions with travel between them. The setting does take a view that magic can be explained through science: humans (the protagonist for example) have created a branch of physics called thaumatology to study it. However, the Thaumatology Earth was fairly magic-free before 1945.
  • Aneka Jansen: Starting out with a relatively hard science basis, Aneka’s universe has progressed to more and more “magic science.” I could do an entire article on what I consider “magic science” to be, but when Aneka kicked off the only real super-science elements were FTL (travel and comms) and gravity manipulation. Over the course of time we’ve had force fields and wormholes work their way in.
  • Ultrahumans: A superhero reality where a mysterious “cosmic power” gives some people the ability to do amazing things.
  • Unobtainium: A steam/retropunk world where the “Miracle Metal” Unobtainium has been discovered and has forged a surge in technological development which did not happen in our world. In the 1920s they have near-indestructible warships, super airships, powered exoskeletons, and nuclear reactors.
  • Reality Hack: You haven’t seen this one yet and I won’t spoil too much yet, but this is an urban fantasy setting with a twist, and a system of magic which involves, well, hacking reality.
  • Fox Hunt: (You heard it here first folks!) The book to follow Reality Hack is currently called Fox Hunt and the setting for it is a near-future, hard-science one. It’s bright cyberpunk: the world has its cruddy, dark side, to be sure, but it’s not a typical near-future dystopia either. So, science, no magic, and that’s all you’re getting for now.

So, do I put all my worlds in one, overarching cosmos? Could Ceri Brent take a step sideways and visit Aneka? Well, let’s put that one to bed first: no because there’s one thing I don’t like and that’s time travel, and Aneka’s world is a thousand years after Ceri’s as well as being a dimension away. Aside from the possibility of comedy short stories, Ceri and Aneka are not going to meet. (And can you imagine it? Ella and Lily would vanish into a bedroom and never be heard from again. No. Just no.)

On the other hand, there is a little hint in Steel Beneath the Skin that Aneka’s world is part of the same cosmology as the Thaumatology books. It’s subtle and I always wondered whether anyone ever noticed it, but it is there. (And no, I won’t say what it is, because I’m evil.) In truth I’ve never really come to a solid decision about whether the Ultrahumans cosmic power and Unobtainium are explained via the same processes as Thaumatology’s magic, but I could certainly make an argument for it.

Reality Hack is a very special case and is definitely not governed by the same rules as the other worlds. You’ll get more on the reason for that (assuming you haven’t guessed) in the next few days as I ramp up to its release. Fox Hunt’s setting is the same, but for different reasons: it’s a hard-science setting so you are not going to see the kind of fantastic stuff which exists in the other books. Fox Hunt is about technology as it might progress in our world, plus the usual kickass heroine, no need for magic.

So, a lot of my stuff probably exists within the same cosmological reality with the same fundamental laws of physics modified by conditions within a particular universe. (If you want to know how the magic works, you need to go read some of Ceri and Cheryl’s papers on thauminos and the Super-Magic Field. They’re a bit heavy on the maths though.) It’s theoretically possible to have some of the characters wander from one storyline to the other. Outside of non-canonical short stories done mainly for comedy, however, don’t expect to see it from me. The worlds I make are separate for a reason and they’ll be staying that way.