Category Archives: News

What’s going on, book schedules, that kind of thing.

The Long, Long, Very Long Road to Death’s Handmaiden

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Lately, I seem to have been asked where I get my inspiration quite a lot. I really don’t have a very good answer. It’s usually a lot of things. In the case of  Death’s Handmaiden, it’s a lot of things going back a lot of years.

The most recent influence is a light novel series and the anime made from it. Mahouka Koukou No Rettousei, better known in the west as The Irregular at Magic High School. (The literal translation makes more sense: ‘The Poor performing Student…’ Less catchy, however.) This is available on Netflix (at least in the UK), if you feel like watching it. It’s subtitled: you have been warned. The story is a bit typical for a high school anime, but the world-building is awesome and the characters are interesting. The protagonist (despite his protestations otherwise) has more of a personality than many. Anyway, The Irregular put in my head the idea of doing a sci-fi magic school story. or rather, it put it back in my head, because I’ve been trying to get that idea right for a long, long time.

So many years ago that I don’t want to think about it, I read a book called A Wizard of Earthsea. You may have heard of it, hopefully not just because of the fairly dreadful TV adaptation. Ursula K. Le Guinn was a rightfully-lauded author, but I have to admit that I find most of her stuff opaque at best. A Wizard of Earthsea is another matter. The world is beautifully drawn, the characters are relatable. The magic school on Roke became one of those inspirational ideas to me. (And I spent hours and hours recreating the magic system in my favoured RPG.) I recently got the trilogy as audio books, and they haven’t aged badly like some of the books I read as a teenager.

Around about the same time, I used to get art books given to me for Christmas and my birthday. Classic sci-fi and fantasy art, generally with some form of text, either fictional or fact. One of those contained a picture which, sadly, I can no longer find. It showed a floating craft of some description moving through a swampy environment, powered by magic. The vessel was obviously more to do with technology, but it was flying because its pilot was a magician. Okay, so that kind of fitted with the school on Roke Island: the students all learned to sail boats driven by ‘the mage wind,’ because they lived in a world which was basically a lot of islands in a vast sea.

And so, the ideas combined and I came up with the idea of a solar system in which magic would be learned by various races. They had to learn teleportation and levitation to get between the worlds in the system. They learned their art because FTL travel and communication relied on magic. And the idea of that system was about all I had for a long time. Eventually, probably twenty years ago, I developed it further. I now had a collection of races, each with a different speciality regarding magic, and a human newcomer who did not fit in well and would make a collection of friends from among the more put-upon races. Eventually, of course, it would turn out that he was something special. I’ve tried to kick that idea off several times, but I’ve never been able to feel the characters.

And then I got another kick in the form of The Irregular… Rehashing the old idea with one species (humans) and two magic specialities, a mysterious, out of place female protagonist, and culling the idea of spreading the school over an entire system seems to have worked. Frankly, Death’s Handmaiden came running out of me like water. So much so that I’ve gone ahead and set off on the sequel immediately. I figured I was looking at something in the 80k words region and it’s over 120k! (Don’t get used to it; the second book will be shorter.)

So, Death’s Handmaiden owes a lot to The irregular at Magic High School and A Wizard of Earthsea and some art in a book I had decades ago, but also Anne McCaffrey’s Harpers of Pern books and all those books and films where there’s an ancient, long-dead progenitor race, and all the weird ways my brain goes off on tangents when exposed to something. Where do I get my inspiration from? Just about everywhere.

Death’s Handmaiden will be out (Amazon willing) on February 1st, everywhere. (I’ll be processing it through for publication tomorrow, so even in Australia, it should be out when you wake up on the first.) The sequel, Bitter Wind, will be out at the beginning of April.

Merry Christmas

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If you happen to be celebrating something other than Christmas, merry that too.

This young lady is the star of  Death’s Handmaiden, which will be coming out around the first of February. Her name is Nava. She doesn’t normally have a tail and she doesn’t usually wear makeup, but I had this idea and I thought I’d troop her out for it. She looks better with darker makeup, actually. More pictures of her should be appearing after Christmas. I got an idea for the cover of the book which I plan to do an art dump for because it took several images to get it right, so it’s more interesting than usual.

Anyway, enjoy your holidays, don’t eat too much turkey, and let’s all hope 2020 doesn’t turn out to suck too much.

The BBC Christmas Cat

If you go hunting on YouTube, you can find all sorts of ways to waste days of your life on things so pointless it’s untrue. One such are the ‘8 hours of…’ videos. ‘8 hours of Anime Characters saying “baka!” (I have no idea if that video exists, but it should). ‘8 hours of a relaxing fireplace’ (Likely doesn’t exist with that name, but you can bet there are several where that’s all you get). There are several that play one song, over and over, for people who can’t be bothered to put something on continuous loop.

Now, the British Broadcasting Corporation, that august institution that brought you  Downton Abbey and Doctor Who, brings you ‘9 hours of our Christmas cat hoovering #XmasLife.’ It’s a classic. Yes, you can watch a fixed camera scene of a Christmas tree with presents around it, and a long-haired cat on a Roomba sliding from left to right in the foreground. Then it does a right to left sweep. Then… You get the picture. Now I know where my licence fee was spent.

I admit that I haven’t watched all nine hours. Something insane might happen at hour five. Maybe the cat sneezes. Or gets off and chases the Roomba for a few seconds. Or it falls asleep, falls off, and then pretends it didn’t really do that. Or its tail gets sucked into the hoover! We just don’t know! If anyone does watch it all the way through, don’t spoil the ending for the rest of us!

Dumb Things to Do On Election Day

Next Thursday (December 12th for those reading this in two weeks) is election day in the UK. The fate of the country will be decided by its citizens (or the ones who can be bothered to vote). Will we be governed by a less charismatic Donald Trump or a far less charismatic Bernie Sanders? Who knows? Are we doomed either way? Probably.

So, I’ll go vote and then I’m going to go do something which means I can’t possibly hear anything about the election for a couple of hours: I’m going to watch a subtitled Japanese movie!  KonoSuba: Legend of Crimson is coming to UK cinemas on the 12th and I’m a sucker for  KonoSubs so… I have never in my life gone to a cinema to watch a subtitled movie, so this should be interesting. Who am I kidding: it’s Megumin yelling ‘EXPLOSION!’ while wearing her school uniform. I’ll enjoy it (certainly more than election night coverage).

If you’re interested and want something pleasant to do while waiting for the world to end, check your local Odeon or Vue cinemas to see if they’re showing it. There’s an enormous list of which places have screenings on the Crunchyroll web site.

The Girl Who Dreamed… Art Dump

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I’ve uploaded a load of images for the characters from ‘The Girl Who Dreamed…’ to ArtStation. Click on the map above to be taken there.

Included is the world map I built using Wonderdraft. It’s a program for building fantasy (and, I suppose, other types) maps for role-playing or whatever. The results aren’t bad and it’s fairly easy to use.

In other art news, I tried my hand at a simple animation recently. I may put it up somewhere at some point, though it’s not exactly great. 12 seconds of video at 1080p/30 fps resolution: 13 hours of rendering time.

In other writing news,  Death’s Handmaiden is going well. At this rate, it might get a sequel straight after because I can’t get the world out of my noggin. We’ll see.

The Girl Who Dreamed of a Different World

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Is now available (despite my not being awake yet).

Yes, I’ll be doing an art dump at some point this week.

This is the Girl Who Dreamed

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It’ll be out tomorrow.

Computers Suck

Okay, so, my main rendering machine, which was working fine yesterday, won’t start today. I was thinking I needed a new one, but this is not the way I was planning to go.

Hopefully, this won’t impact timescales for the next book because I’ll have fixed/replaced it by the time I need to make a new cover. I just hope I can recover the data because I know the last backup I have doesn’t include the latest character models. There’s a PC repair shop in the village I live in, so there’s a chance I can get this thing operational again. *sigh* I hate computers sometimes.

In other news, the isekai novel I’m writing is going to get a name change. Currently, I haven’t decided what it’s changing to, so it’ll remain as ‘Isekai’ until I do.

Royal Flush

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Royal Flush, the 8th Ultrahumans novel, is now available.

Isekai

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If you’re into anime (or light novels, or manga) you know what isekai is. Basic concept: someone gets transported to another world, discovers they are hugely overpowered but that they need to defeat a very powerful demon lord, and hilarity ensues. It’s what was once known as portal fantasy and the archetypal instance of it is Sword Art Online, which has spawned multiple TV series, movies, games, and enough merchandise fill a hobby store. Isekai is also the name of the book I’m writing at the moment; more on that later.

I was initially disinclined to get into isekai anime because, well, there’s so much of it. Sword Art Online has been on Netflix in the UK for a while, and I didn’t watch it for various reasons. I still only know SAO from the numerous videos on YouTube dismantling it and, to be honest, while SAO started the trend for everything to be isekai, I still have no desire to go there. Then I went and watched…

That Time I Got Reincarnated as a Slime. In many ways, the slime isekai hooks into my liking for slice of life. It’s like watching Sid Meier’s Civilisation combined with an action comedy. Basic concept: a 37-year-old virgin salaryman valiantly steps in the way of a knife meant for someone else, dies, and is reincarnated as the most overpowered slime monster in history. But that’s just the concept. The actualisation of it is funny, genre-aware, self-aware, and very bittersweet in places. The slime, Rimaru Tempest, starts to build a city where monsters can live in peace, and the state of his new nation progresses from a goblin village to a town filled with ogres, dwarfs, lizardmen, and orcs as challenges are met and overcome. Slime gave me a taste for the current generation of isekai. It doesn’t take itself hugely seriously and it subverts many of the tropes associated with the genre.

Overlord is closer to the more standard isekai staples, marginally. The majority of isekai have the hero (always seems to be a hero, because reasons) is trapped in a computer game somehow. Overlord follows that convention but its USP is that the ‘hero’ is a bad guy. The protagonist, Ains, isn’t a bad guy, but he finds himself having to play the part of an incredibly evil undead necromancer type with a veritable army of overpowered minions, all intent on taking over the world. Initially, this was the really amazing part of Overlord and it remains one of the most amusing parts: the minions (NPCs in the original game world) are vastly more competent at being evil than Ains and he’s constantly playing catchup, aided by his minions assuming that he’s already had the brilliant idea they just came up with and that he just didn’t explain it. Lately, Ains is getting the hang of things and I’m finding the series less enjoyable. It has a particular habit (especially in the later stages) of making us empathise with the people Ains & Co are going to destroy with a twitch of their fingers, and then making us watch them being destroyed. It’s kind of cheap. I prefer the earlier episodes.

This season’s rising star, The Rising of the Shield Hero, has some similar issues. The series skips over the initial stage in many isekai shows where the hero doesn’t want to face the big bad and doesn’t understand what’s going on. The four heroes summoned to save <generic fantasy setting> know exactly what’s going on and get straight into it. Instead, Shield Hero makes things tough by shitting on the protagonist from a great height in the very first episode and keeping it up through its entire run. Obviously, his moments of triumph are all the more sweet since everyone seems to hate him, and the journey is quite entertaining most of the time. However, there’s only so much pain I can watch someone go through before I come to suspect the show was designed for sadists (or, since you’re supposed to identify with the protagonists, really major masochists). Also, I found the characterisation of the Shield Hero to be… random. I think they’re going for someone trying to be a bastard because it’s what everyone thinks he is, but not quite being able to pull it off. But to me it just comes over as inconsistent.

Some others… I kind of got stuck with How Not to Summon a Demon Lord because they’re going to do the “brainwashed girl who appears to want to go with the villain and has to be rescued” plot. I might go back to it; I really hope they’ve got a unique way of making that plot worth watching, I just doubt it. Demon Lord, Retry has similarities to that one and Overlord, but it’s unique enough so far that I’m enjoying it. Equally, it’s a currently-running series, so it could go either way. Oh, and I’m currently reading the manga of Konosuba, which is another classic of the genre.

And then (and finally), there’s Do You Love Your Mom… and Her Two-Hit, Multi-Target Attacks? Sounds like an incest hentai, right? It’s part of a current trend for ‘clickbait’ show titles. It’s another currently-running series, so it could go either way, but so far the ‘incestuous’ aspects are played purely for laughs and it’s rather entertaining. Basic idea: a young man, Masato, is zapped into a video game… only to discover that his mother, Mamako, is there too. What’s more, while the protagonist is usually the overpowered one, in this case it’s Mamako who can wipe out armies with one strike of her swords. It gets over the incest thing pretty early on as the team fight a slime monster which starts dissolving Mamako’s clothes and she comes out with one of my favourite lines of 2019: ‘Don’t look, Ma-kun, momma’s wearing a thong today.’ Masato is mortified. One reviewer on YouTube suggested that this might be the most innovative isekai of this season, and that might just be the case.

So, I felt like doing my own take on the genre and I have a Japanese girl finding herself summoned to a fantasy world which is actually called Isekai. She’s pretty convinced it’s not real, and anyway, she’s been told she’s the wrong person to fight the demon lord. Still, she’s stuck, so she might as well get on with whatever adventures she can find, right? Progress has been swift so far and I’m only planning to do sequels if I can come up with something interesting to do in them (or it gets a film deal).

Meanwhile, (if you’ve read all the way down here, good for you) the next Ultrahumans book, Royal Flush, will be coming out tomorrow. The cover has just finished rendering, so I’ll be ready to do the publishing checklist in the morning. It’ll be coming out at $3.99, which is going to be standard from here on out. I can’t hold back the inevitable forever. Hopefully, you’ll enjoy it.