Click on the image to go to the art dump on ArtStation.
Quick this time, wasn’t I? 🙂
Posted in Death's Handmaiden, Digital Art
Tagged ArtStation, character development, characters

The new Death’s Handmaiden is out. Hope you enjoy it.

So, I have NASA TV on in the background in the hope of seeing a rocket fly (safely) and I’m writing cyberpunk. The guys in the picture above are the main characters and I’m not going to say much about them right now. The image was inspired by part of the opening credit sequence of Ghost in the Shell: Stand Alone Complex, 2nd Gig, though this kind of ‘identification lineup’ image is pretty common, especially in anime, though also in one famous live action movie I can think of.
Also, I’ve been reading some of the Thaumatology books recently, so here’s a little something I put together recently…

(No, I’m not going to do another Thaumatology book right now. But I am sort of feeling it a little more… Don’t get your hopes up.)
Meanwhile, good luck to SpaceX and NASA. Let’s hope it’s a go this time.
It occurred to me today that it’s been a while since I told you guys I might have been exposed to the coronavirus. I know I vanish for long periods normally, but I haven’t normally told you I might have a fatal disease before doing so. An update feels like it’s in order, even if it’s just to point out I’m still alive.
It turned out that we were clear of COVID-19, so that turned out to be a non-problem. Thank you for all your well-wishes for my mother. Unfortunately, there was really no way short of an actual miracle that she was going to get better and she passed away in her sleep on Easter Monday. I’m staying with my father at the moment to help him through the aftermath, but I am still doing some work because it keeps my mind busy.
Out in the world, things are a bit crazy. I’m actually fairly worried about you guys. A lot of you live in America and the virus has really clobbered the US. I don’t know how many of you are in New York City, but that place has seen almost as much death as the entirety of the UK! So, basically: yes, I’ve had a bad month or so over here, but I really do hope that all of you are staying safe and having a better time than I am. I will be back with a new book as soon as I can manage it, possibly around mid-June. Frankly, I could use the positive feeling of getting some good writing done at the moment.
Also, just because I got a little time to render some stuff last night, please enjoy a pin-up of Nava in a corset.


The next Death’s Handmaiden novel, Bitter Wind, is due to come out around the first weekend in April and, once again, I’ve come up with a cover for it pretty quickly. So, here it is.
In other news, I may be rather quiet for a while. Some stuff is happening with my family which is occupying my thoughts a lot. This may cause a delay in the book after Bitter Wind, I just don’t know at this point. I’m sure you’re used to me going quiet for long periods by now, so it should almost be business as usual. I’ve been meaning to post this for a while, but today I have something nice to offset the not so nice. Now that you’ve read the bad news, go back to the top and revel in those legs!
Posted in Death's Handmaiden, Digital Art, News
Tagged cover art, ebook, legs, release date
Click on the image to go to my ArtStation site and see the pictures.
The book is being processed by Amazon (ASIN: B084CWHZSJ) and should be available soon. I’ll be putting it up on Smashwords in about an hour. I’ll post again when it’s available.
Posted in Death's Handmaiden, Digital Art
Tagged amazon, characters, concept art, smashwords

Lately, I seem to have been asked where I get my inspiration quite a lot. I really don’t have a very good answer. It’s usually a lot of things. In the case of Death’s Handmaiden, it’s a lot of things going back a lot of years.
The most recent influence is a light novel series and the anime made from it. Mahouka Koukou No Rettousei, better known in the west as The Irregular at Magic High School. (The literal translation makes more sense: ‘The Poor performing Student…’ Less catchy, however.) This is available on Netflix (at least in the UK), if you feel like watching it. It’s subtitled: you have been warned. The story is a bit typical for a high school anime, but the world-building is awesome and the characters are interesting. The protagonist (despite his protestations otherwise) has more of a personality than many. Anyway, The Irregular put in my head the idea of doing a sci-fi magic school story. or rather, it put it back in my head, because I’ve been trying to get that idea right for a long, long time.
So many years ago that I don’t want to think about it, I read a book called A Wizard of Earthsea. You may have heard of it, hopefully not just because of the fairly dreadful TV adaptation. Ursula K. Le Guinn was a rightfully-lauded author, but I have to admit that I find most of her stuff opaque at best. A Wizard of Earthsea is another matter. The world is beautifully drawn, the characters are relatable. The magic school on Roke became one of those inspirational ideas to me. (And I spent hours and hours recreating the magic system in my favoured RPG.) I recently got the trilogy as audio books, and they haven’t aged badly like some of the books I read as a teenager.
Around about the same time, I used to get art books given to me for Christmas and my birthday. Classic sci-fi and fantasy art, generally with some form of text, either fictional or fact. One of those contained a picture which, sadly, I can no longer find. It showed a floating craft of some description moving through a swampy environment, powered by magic. The vessel was obviously more to do with technology, but it was flying because its pilot was a magician. Okay, so that kind of fitted with the school on Roke Island: the students all learned to sail boats driven by ‘the mage wind,’ because they lived in a world which was basically a lot of islands in a vast sea.
And so, the ideas combined and I came up with the idea of a solar system in which magic would be learned by various races. They had to learn teleportation and levitation to get between the worlds in the system. They learned their art because FTL travel and communication relied on magic. And the idea of that system was about all I had for a long time. Eventually, probably twenty years ago, I developed it further. I now had a collection of races, each with a different speciality regarding magic, and a human newcomer who did not fit in well and would make a collection of friends from among the more put-upon races. Eventually, of course, it would turn out that he was something special. I’ve tried to kick that idea off several times, but I’ve never been able to feel the characters.
And then I got another kick in the form of The Irregular… Rehashing the old idea with one species (humans) and two magic specialities, a mysterious, out of place female protagonist, and culling the idea of spreading the school over an entire system seems to have worked. Frankly, Death’s Handmaiden came running out of me like water. So much so that I’ve gone ahead and set off on the sequel immediately. I figured I was looking at something in the 80k words region and it’s over 120k! (Don’t get used to it; the second book will be shorter.)
So, Death’s Handmaiden owes a lot to The irregular at Magic High School and A Wizard of Earthsea and some art in a book I had decades ago, but also Anne McCaffrey’s Harpers of Pern books and all those books and films where there’s an ancient, long-dead progenitor race, and all the weird ways my brain goes off on tangents when exposed to something. Where do I get my inspiration from? Just about everywhere.
Death’s Handmaiden will be out (Amazon willing) on February 1st, everywhere. (I’ll be processing it through for publication tomorrow, so even in Australia, it should be out when you wake up on the first.) The sequel, Bitter Wind, will be out at the beginning of April.
This is (probably) going to be the cover image for Death’s Handmaiden. Click on the image to see the process images which were used to create this.
I don’t use much postwork in my images (because I suck at it), but I had this idea of creating a ‘dark reflection’ sort of image for this cover and that means doing some compositing. Basically, two similar images with the foreground one having the mirror replaced by a mask colour. Most of the better image editors can create layered images with a mask to allow parts of one layer to show through the one above. I use GIMP.
What we end up with is the light version of Nava seeing the darker side of herself in a mirror. I may redo this with a darker background on the image in the mirror. I’ll probably try it and see how it looks. Lighter images work better when they’re turned into greyscale or shrunk to a thumbnail, so maybe the lighter background is better.
Anyway, have a good New Year and I hope 2020 starts out well for you. (Or, for some of you, please read that sentence in the past tense.)

If you happen to be celebrating something other than Christmas, merry that too.
This young lady is the star of Death’s Handmaiden, which will be coming out around the first of February. Her name is Nava. She doesn’t normally have a tail and she doesn’t usually wear makeup, but I had this idea and I thought I’d troop her out for it. She looks better with darker makeup, actually. More pictures of her should be appearing after Christmas. I got an idea for the cover of the book which I plan to do an art dump for because it took several images to get it right, so it’s more interesting than usual.
Anyway, enjoy your holidays, don’t eat too much turkey, and let’s all hope 2020 doesn’t turn out to suck too much.